漂亮朋友 第六章 英3

孙祎卓

Duroy happening to glance at the walls, M. Walter said: “You are looking at my pictures? I will show them all to you.” And he took a lamp that they might distinguish all the details. There were landscapes by Guillemet; “A Visit to the Hospital,” by Gervex; “A Widow,” by Bouguereau; “An Execution,” by Jean Paul Laurens, and many others.
Duroy exclaimed: “Charming, charming, char —” but stopped short on hearing behind him the voice of Mme. de Marelle who had just entered. M. Walter continued to exhibit and explain his pictures; but Duroy saw nothing — heard without comprehending. Mme. de Marelle was there, behind him. What should he do? If he greeted her, might she not turn her back upon him or utter some insulting remark? If he did not approach her, what would people think? He was so ill at ease that at one time he thought he should feign indisposition and return home.
The pictures had all been exhibited. M. Walter placed the lamp on the table and greeted the last arrival, while Duroy recommenced alone an examination of the canvas, as if he could not tear himself away. What should he do? He heard their voices and their conversation. Mme. Forestier called him; he hastened toward her. It was to introduce him to a friend who was on the point of giving a fete, and who wanted a description of it in “La Vie Francaise.”
He stammered: “Certainly, Madame, certainly.”
Madame de Marelle was very near him; he dared not turn to go away. Suddenly to his amazement, she exclaimed: “Good evening, Bel-Ami; do you not remember me?”
He turned upon his heel hastily; she stood before him smiling, her eyes overflowing with roguishness and affection. She offered him her hand; he took it doubtfully, fearing some perfidy. She continued calmly: “What has become of you? One never sees you!”
Not having regained his self-possession, he murmured: “I have had a great deal to do, Madame, a great deal to do. M. Walter has given me another position and the duties are very arduous.”
“I know, but that is no excuse for forgetting your friends.”
Their conversation was interrupted by the entrance of a large woman, decollette, with red arms, red cheeks, and attired in gay colors. As she was received with effusion, Duroy asked Mme. Forestier: “Who is that person?”
“Viscountess de Percemur, whose nom de plume is ‘Patte Blanche.’”
He was surprised and with difficulty restrained a burst of laughter.
“Patte Blanche? I fancied her a young woman like you. Is that Patte Blanche? Ah, she is handsome, very handsome!”
A servant appeared at the door and announced: “Madame is served.”
Duroy was placed between the manager’s plain daughter, Mlle. Rose, and Mme. de Marelle. The proximity of the latter embarrassed him somewhat, although she appeared at ease and conversed with her usual spirit. Gradually, however, his assurance returned, and before the meal was over, he knew that their relations would be renewed. Wishing, too, to be polite to his employer’s daughter, he addressed her from time to time. She responded as her mother would have done, without any hesitation as to what she should say. At M. Walter’s right sat Viscountess de Percemur, and Duroy, looking at her with a smile, asked Mme. de Marelle in a low voice: “Do you know the one who signs herself ‘Domino Rose’?”
“Yes, perfectly; Baroness de Livar.”
“Is she like the Countess?”
“No. But she is just as comical. She is sixty years old, has false curls and teeth, wit of the time of the Restoration, and toilettes of the same period.”
When the guests returned to the drawing-room, Duroy asked Mme. de Marelle: “May I escort you home?”
“No.”
“Why not?”
“Because M. Laroche-Mathieu, who is my neighbor, leaves me at my door every time that I dine here.”
“When shall I see you again?”
“Lunch with me to-morrow.”